1/13/2024 0 Comments Darq e freaker cherryade![]() I want to work with a singer no one would expect me to work with, like Sky Ferreira or Grimes, and put them on a sick grime beat. ![]() In terms of pushing your sound forward, what's next? But we need to make grime a permanent fixture so people don't just jump off it onto the next thing. There was the dubstep wave, then the trap wave, and now people from outside London are listening to grime music. I'm not one of those people going "oh my god, grime man!" I want grime to be a fixture. I played the MoMA with grime music in 2013. It is a good moment, but I will say that I'm not doing this thing on the moment. It seems like it's a good moment for people to stretch out, there's a lot of grime producers exploring new territory. I know there's hardcore Darq E Freaker fans who want to hear grime and I'm always going to cater to them, but for the next few years there's going to be an extreme output. That's something I want to add to the kaleidoscope of Darq E Freaker, to fully express myself. I played a couple of grime tracks I made and tracks by other grime artists, and the crowd would be chanting the lyrics. I thought it'd be more of a taste-making show-you know those kinds of shows where people stand and take in the music? It wasn't like that. It was a sold-out show and there was a really good vibe. THUMP: How's the reception to your music abroad these days?ĭarq E Freaker: Well, last night's show in New York was amazing. Tapping into the EDM movement's psychedelic and euphoric qualities, but pushing past its cookie cutter formulas, the tracks blend more elements per minute than most DJs do in their entire sets, with everything from hardcore techno to festival trap somehow ending up in the mix. Now, after building his name off years of underground work, Darq E Freaker's released his latest five-song EP ADHD (via Big Dada), which sees him further diversifying his sound with new tempos and textures. The collaboration was a perfect opportunity for the up-and-coming beatmaker, and allowed him him to test the waves in America-a move that seemed to predict a rising interest in grime on the other side of the Atlantic. The buzz around Freaker even reached Detroit rapper Danny Brown, who tapped the producer for their 2012 collaboration " Blueberry (Pills & Cocaine)," a major highlight of the emcee's live sets. Clued-in DJs immediately began cutting it with a wide variety of vocals, but it was Sinden's brilliant mashup with Waka Flocka Flame's "Hard In Da Paint" that best predicted the potential merger of violent Atlanta energy and London futurism. " Cherryade," a lush instrumental for the label Oil Gang reprised the formula, appearing in countless sets during the early 2010s.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |